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A woman sets out to reclaim her life in this stirring, emotionally rich look at what it means to start over. Tara (Gemma Arterton), a housewife in suburban London, is living a life that is no longer hers: it belongs to her overworked, self-absorbed husband (Dominic Cooper); her young son and daughter; and the numbing routine of housework and childcare. In desperate need of a change, Tara one day makes a bold decision. Armed with a one-way ticket to Paris, she leaves everything behind to rediscover herself in a new city - but walking out on your life isn't so simple... Built around a remarkable central performance from Gemma Arterton, The Escape is a perceptive, deeply compassionate portrait of a woman on the rocky road to becoming herself.
Rating
NR
Director
Dominic Savage
Studio
IFC Films
Writer
Dominic Savage
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- The audience is launched into an unsettling character study, one that takes its time getting its claws into you but ultimately delivers an intense ride.Reply
- It's not a cheery picture, but its level of melancholy is haunting, especially when interpreted by star Gemma Arterton, who delivers career-best work in the challenging feature.Reply
- Gemma Arterton continues to prove herself as an actress constantly underestimated by the masses.Reply
- Tara is a role that she has to inhabit without flash, and Arterton does so, and movingly, in every frame in which she appears.Reply
- A quiet domestic-drama chamber piece with a vein of pure desperation thrumming beneath it.Reply
- It deals with a very ordinary emergency with deftness of touch, and the power of a singular performance.Reply
- Subtle and slow and wrenchingly empathetic, "The Escape" is about gradually realizing that the life you have may not be the one you want.Reply
- Although its title might imply some intrepid action movie, writer-director Dominic Savage's intimate, deeply emotional drama "The Escape" proves, in its own way, just as daring and harrowing an experience.Reply
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- Gemma Arterton excels as a shattered mother of two in Savage's absorbing and uncompromising filmReply
- Only a brave filmmaker-and even braver actors-would attempt to tackle one of the most vexing questions of contemporary life: Why is "having it all" not quite enough?Reply
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- There are no audience-appeasing neat happy endings, just raw emotional wounds and aching compromises. But, despite a low key approach, this is a compelling, sometimes wrenching drama.Reply