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From the raucous dual imaginations of fantasy laureate Neil Gaiman ("American Gods," CORALINE) and glamrock multihyphenate John Cameron Mitchell (HEDWIG AND THE ANGRY INCH, SHORTBUS) comes the electrifying and singular pop extravaganza film, HOW TO TALK TO GIRLS AT PARTIES. Enn (Alex Sharp) is a shy suburban London teenager in 1977, sneaking out with his best friends to afterhours punk parties. One night they stumble upon a bizarre gathering of sexy teenagers who seem like they are from another planet. In fact, they are from another planet, visiting Earth to complete a mysterious rite of passage. That doesn't stop Enn from falling madly in love with Zan (Elle Fanning), a beautiful and rebellious alien teenager who, despite her allegiance to her strange colony, is fascinated by Enn. Together they embark on a delirious adventure through the kinetic punk rock world of 1970s London, inadvertently setting off a series of events that will lead to the ultimate showdown of punks vs. aliens, and test the limits of how far each of them will go for true love.
Rating
R (for language throughout, sexual content, some drug use and nudity)
Director
John Cameron Mitchell
Studio
A24
Writer
John Cameron Mitchell, Philippa Goslett
- How to Talk to Girls at Parties is much more enjoyable than the critics would have you think. Even if you can't catch the Punk Rock inside jokes, it's entertaining and fun. I loved the alien costumes. Does young love succeed? Spoiler alert -> nothing blows up.Reply
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- A wild ride - a punk Moulin Rouge!, with the two leads star-crossed lovers in the most bizarre way! Oh, and Nicole Kidman is BRILLIANT as the ageing punk master.Reply
- How To Talk To Girls At Parties tells the story of an extraterrestrial traveler who learns about the art of teenage seduction. Overall, How To Talk To Girls At Parties is absurd to like, but for some audiences who are down to watch original stuff, then this the film for them. What I loved about this film was it's originality that it delivered. It's aspect ratio, and script, too. What some audiences will hate, is its plot that the film carries. For some, people will actually love the plot. This is a very likable film because, again, of its originality. The film is a fun-messy ride, and an outrages film. It's a film that you have to prepare yourself for, rather than going into it, not knowing what its about. This is isn't the weirdest A24's ever done.Reply
- This is great fun. The music and costuming alone were worth the price of admission and I laughed lots. Nicole Kidman was fantastic and the star crossed lovers were charming. As an added bonus we got to see the formation of punk!Reply
- Perhaps the film's greatest achievement-and this praise goes squarely to Mitchell-is that it conjures up such an indomitable spirit of joy and revolution that it makes you forget all that's conventional about it.Reply
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- Fairly wonderful when it's a sci-fi teen love story, which it mostly is, but cringe-inducing when it's a punk rock musical, which it occasionally seems to want to be.Reply
- Punk in this film is not angry so much as revolutionary, fueled by ideas and optimism. That may seem like an alien idea today, but Mitchell's makes it seem right on time.Reply
- If you love "Hedwig" - or "Rocky Horror" for that matter - it's worth streaming when it hits Netflix.Reply
- There's no simple way to categorize this maniacal misfit love story, which, like the counter-culture icons it champions, is exactly what makes it so endearing.Reply
- "Parties" isn't complete, but that's the way Mitchell wants it, going loose and free with this valentine to punk music and the mysteries of the universe.Reply
- When it works, it works. And even when it doesn't, it's just endearing enough to earn a bit of forgiveness for its flaws.Reply
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