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The killing seems professional but the only witness, a young woman strung out on drugs on the street corner, gives the police a false name and address. Kip tracks down Abdullah's home, a set of garages, to find his sisters. They are scared and Kip's convinced they're hiding something.
Set over the course of four days, the spiraling repercussions surrounding Abdullah's murder are explored. Politician David Mars (John Simm) becomes instantly embroiled in the drama through his turbulent relationship with his ex-wife Karen who took delivery of the pizza. While Jane Oliver (Nicola Walker), a compassionate vicar, struggles to conceal her affair with the sole witness to the crime.
Refusing to accept this is a random act of senseless violence, Kip is determined to discover if there is a darker truth, as the death of one individual, who has lived out of the sight of respectable society, begins to resonate through the institutions that shape our lives.
- It's a tangled web of individuals and motivations, and while some may find this all a bit too heavy on coincidence, there's no question that Collateral is a gripping procedural.Reply
- Apparently the show will leave you more confused than not, but it's got a really engaging start.Reply
- Collateral [is] a superb four-part-thriller... that deftly tackles politics, immigration issues and murky espionage as well as the central crime.Reply
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- This work is sharp, it's engaging, and it's speaking not only to contemporary Britain, but also to a wider Western world that is wrestling with the issues of immigration and asylum.Reply
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- What unfolds, then, is part thriller, part procedural, and part political commentary, all wrapped in a smartly written package and adorned with fully realized characters and strong performances.Reply
- Collateral filters issues through a uniquely British lens, creating the uncanny sensation of observing a political system and its failures that's like the American system, but not of it...it's less a whodunnit than a whydunnit.Reply
- Carey Mulligan, as DI Kip, excels, as does Billie Piper as the louche posh drawling lovely: one struggles to tear the eyes from any scene in which either appears.Reply
- With a worrying wave of right-wing politicians seemingly on the rise across Europe, spouting anti-refugee rhetoric and celebrating the unfathomable success of Donald Trump, stories such as the one Collateral is telling are vital now more than ever before.Reply
- By centering this story around all of these totemic societal institutions, Collateral is taking a broad view of all of these key political, legal, and religious pillars, which are subject to the individuals who comprise them.Reply
- That Collateral succeeds in achieving a certain suspense is no small miracle, given the confusion resulting from its hugely overcrowded script...its close-to-gripping powers derive from strong performances.Reply
- Ambition is good, and so are well-made dramas with things to say like this one, whatever genre label its creators want - or don't want - to give it.Reply
- Collateral doesn't overstay its welcome and doesn't leave much unresolved, which is a relief. Mulligan's character's drive is the drive of the show.Reply
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